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Theodoric’s garden is, like any garden, a perceptible and physical context ; they appear to us with colours, smells and sounds, tactile feelings ; these feelings, stored in voluntary or involuntary memory, are a source for imagination.
OBJECTIVES
To stimulate “imaginative perception" (Paul Klee)
To structure languages
SKILLS
To perceive sensations in a reasoned way
To use tools that enable awareness of sensations
To learn to articulate verbal and plastic language.
MATERIALS
“windows"and other variously shaped centring tools
mirrors
notebooks, paper chalk, pastel crayons
cameras, pencils
scarves
collecting boxes, a press
REFERENCES
Theodoric’s Park in Ravenna
PROCEDURES
1) List sensations
When you are in a garden, how can you pay more attention to what you perceive rather than to what you know or think you know ?
eyesight
Ask the children to single out details to be observed : the veins in the stone, the lines of the alleys, the writings on the walls, the various very wide perspectives exposed to their gaze from the top of the Mausoleum, the style of the architectural elements, the drawing of railings.
They use the mirrors to create surprising effects, to brake the scale. Keep traces of these experiments on photographs…
They make palettes and colour charts : the various shades of the white of the stone, of the green of the vegetation, the small spots of bright orange of the pomegranates in the trees and take them down with pastels or paper chalk.
They keep photographs or sketches of these observations.
touch
The children move about in the garden, blindfolded, for a better exploration and comparison of the tactile characteristics of its elements.
They bring back, classify, keep and choose elements that will be stored in the pages of the notebook : samples of earth, plant elements fallen to the ground, twigs …
smell
With the same tools, they list smells : the fragrance of flowers, of some leaves, of fruit, of the earth, of grass.
sound elements (bird songs, for example) :
With the same approach they can be recorded while they walk about in order to make a catalogue of sounds to explore, identify, qualify…
2) Language structure :
During each step, words and sentences are written down in order to
qualify the sensations they have listed,
express what everyone feels
Mental images spring from this articulation between various languages ; choices are made, they create their own personal itinerary, which will structure the realisation of each “travel diary".
FOLLOW-ON ACTIVITIES
Ask the children to gather information about
traces of life in Ravenna in Theodoric’s times
Theodoric himself
Concepts and symbols connected to the garden and visible in the iconography of Ravenna’s mosaics
The Park’s ecosystem, the species that live there, how the park is connected with the nature of the soil and with the climate
ASSESSMENT
The children will be assessed on the diversity of
what has been collected
projects of plastic realisations
and the interest given to build or widen their knowledge of Theodoric’s garden..
Aline Rutily Conseillère pédagogique en Arts Visuels (Yvelines) France